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I started to Photoshop-crop this but realized the peeling paint and plaster was a metaphore for the Lewis Hine show at the Foundation Cartier-Bresson.
In brief I was not as impressed as was James Estrin or Alison Nordstrom, the curator of this exhibit. The photos may have been ground-breaking journalistic social change agent stuff but I thought they were small, repetitive and so-so.
Sorry, no Wow's.
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